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02-FEB-01
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CD Reviews: field mob / 613: from ashy to classy
Todd Makse
Hailing from Albany, Ga., Field Mob distinguishes itself from many Southern rap groups by avoiding flashy tales of cars, jewelry and stacks of money. In fact, on their album 613: From Ashy to Classy, they brag about their poverty the way other rappers brag about their wealth.
Field Mob claims to represent the entire South, and their music reflects that with a style that is obviously Southern and yet not reminiscent of any particular Southern scene or city. Underground Atlanta seems to be influential on songs such as "Da Durty" and "Dimez," but many other songs are more unique in their sound. For example, "Crutch," the best song on the album, is a deep, introspective song with a hook reminiscent of a church hymn.
Other good songs are "Shake Sumpthin," featuring Houston reggae-rapper Papa Reu, and "Dead in Your Chevy," a rather violent song that contrasts with the somewhat playful tone of the rest of the album. Finally, "Can't Stop Us," is a simple song over a typical Southern bounce beat with sheer energy that makes it an enjoyable listen.
However, the first single, "Project Dreamz," suffers from an unexciting beat. Kollage and Boondox have trouble at times rapping with the beat, and their voices are wild and somewhat annoying. This reason alone makes it difficult to listen to the whole album in one sitting.
Field Mob's commentary on their album makes it clear that the duo wanted to make a statement with their work, and, to a certain extent, they have succeeded. Although the album has its weaknesses, 613: From Ashy to Classy shows that concept albums and Southern musical styles are not mutually exclusive.
- Todd Makse
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