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The Subject as Object, or the Object as Subject
A curving, yellow brick road of shag carpeting starts at the door of Sewall Hall and seemingly runs through the plate glass window into the Rice Art Gallery.
by Kelly Klaasmeyer
Keyboard Magic
Clara Jung-Yang Shin’s fingers move so fast that they seem to be racing each other up and down the keyboard. Her hands bounce and crisscross like those of a magician performing sleights of hand, though the magic here is pure—no tricks needed.
by David D. Medina
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