SSCM 2010 Conference schedule

Thursday, March 4

noon-5pm	Registration in the Shepherd School of Music (SSOM), Foyer
1:15-2:30pm	Meeting of JSCM Board, SSOM, Room 1705
1:15-2:30pm	Meeting of WLSCM Board, SSOM Conference Room
2:45-4:45pm	Meeting of the SSCM Governing Board, SSOM, Room 1705
5-7pm	Opening reception with food and drinks in SSOM, Foyer
7-9pm	Dance Workshop led by Yvonne Kendall with musical accompaniment by Mercury Baroque (www.mercurybaroque.org), 7-9pm in SSOM, Hirsch rehearsal hall

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Friday, March 5

8:30-9am	Pastries & coffee in the Shepherd School of Music (SSOM), Foyer
9am-noon	*PAPER SESSION I in SSOM, Duncan Recital Hall: ENGLISH VOICES AND STRINGS. Chair: Linda P. Austern (Northwestern University)*
9:00-9:40am	Graham Freeman (University of Toronto, Canada) “Upon the lute doth ravish human sense”: John Dowland and the Culture of Orality in Early Modern England
9:40-10:20am	Loren Ludwig (University of Virginia) “These things were never made for words”: The Instrumental Wit of William Lawes’ Music for Viol Consort
10:20-10:40am	Break
10:40-11:20am	Carlo Lanfossi (University of Pavia, Italy) Elizabeth I and the Earl of Essex in Seventeenth-Century Opera: From La regina Floridea (Milan, 1670) to Arsinoe, Queen of Cyprus (London, 1705)
11:20am-noon	Stacey Jocoy (Texas Tech University) “You Noble Diggers”: A Seventeenth-Century Musical Contrafact and Its Significance in the History of English Radical Song
noon-2pm	Lunch and formal business meeting in SSOM, Foyer
2-5pm	PAPER SESSION II in SSOM, Duncan Recital Hall
	*SHORT SESSION A: MUSIC AND IMAGERY, I. Chair: Georgia Cowart (Case Western Reserve University)*
2:00-2:40pm	David Schulenberg (Wagner College) Artistes in Rome: Froberger, Poussin, and the Modes of Music and Painting
2:40-3:20pm	Elizabeth Weinfield (Graduate Center, City University of New York) Performance, or Self-Promotion?: Giorgione, Watteau, and the Politics of Music Making
3:20-3:40pm	Break
	*SHORT SESSION B: LOVE AND HATE. Chair: Rose Pruiksma (Lewiston, Maine)*
3:40-4:20pm	Kaneez Munjee (Stanford University) “Eurydice’s Silence”: The Absent Female Voice in the French Orpheus Cantatas
4:20-5:00pm	Brian Oberlander (Northwestern University) The Rhetoric of Witchcraft in Marc-Antoine Charpentier’s Mors Saülis et Jonathae, H. 304
8-10pm	Concert 1: Ensemble Caprice (www.ensemblecaprice.com) at Christ the King Lutheran Church

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Saturday, March 6

8:30-9am	Pastries & coffee in the Shepherd School of Music (SSOM), Foyer
9am-noon	*PAPER SESSION III in SSOM, Duncan Recital Hall: VIRTUOSITY AND MECHANICITY.* Chair: John Suess (Case Western Reserve University)**
9:00-9:40am	Jeremy Grall (University of Alabama at Birmingham) The Significance of Kapsberger’s Partite sulla folia in the Evolution of the Folia
9:40-10:20am	Patrick Wood Uribe (Princeton University) “He plaid on that single Instrument a full Consort”: Thomas Baltzar’s Polyphonic Music for Solo Violin
10:20-10:40am	Break
10:40-11:20am	Kimberly Parke (Mahidol University, Thailand) “Bodies without soules, sweete substances without sense”: Automatic Birds in the Early Modern Pleasure Garden
11:20am-noon	Daniel Zuluaga (University of Southern California) ¿Hay quien me quiera comprar castañas?: Matheo Bezón’s 1599 alfabeto Songbook and the Erotic Spanish Lyric Tradition in Notated Guitar Song
noon-1pm	Concert 2: Charpentier’s Les Plaisirs de Versailles, Matthew Dirst & Ars Lyrica (www.arslyricahouston.org) with Phillip Kloeckner (http://music.rice.edu/facultybios/kloeckner.shtml), organ, in SSOM, Edythe Bates Old Recital Hall
1-2pm	Box lunch in SSOM, Foyer
2-5pm	PAPER SESSION IV in SSOM, Duncan Recital Hall
	*SHORT SESSION: PATRONAGE ISSUES. Chair: Frederick K. Gable (University of California, Riverside)*
2:00-2:40pm	Andrew H. Weaver (Catholic University of America) Putting Words in the Emperor’s Mouth: Representations of Emperor Ferdinand III in a Milanese Motet Anthology
2:40-3:20pm	Arne Spohr (Hochschule für Musik und Theater Hannover, Germany) “Was hört man da vor Seytenspiel / Orpheus nicht dabey gleichen will”: The Hamburg Huldigung (1603) and its Musical Consequences
3:20-3:40pm	Break
	*SPECIAL SESSION: GUEST SPEAKER. Chair: Gregory S. Johnston, Chair, American Heinrich Schütz Society (University of Toronto)*
3:40-5:00pm	Prof. Dr. Walter Werbeck (Ernst Moritz Arndt Universität Greifswald, Germany), President, International Heinrich Schütz Society The Present State of Seventeenth-Century Music Research in Germany
7-8pm	Cocktails in SSOM, Foyer
8-10pm	Banquet in SSOM, Foyer

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Sunday, March 7

8:30-9am	Pastries & coffee in the Shepherd School of Music (SSOM), Foyer
9am-noon	PAPER SESSION V in SSOM, Duncan Recital Hall
	*SHORT SESSION A: MUSICAL MIGRATIONS. Chair: George Torres (Lafayette College)*
9:00-9:40am	Graham Sadler (University of Hull, United Kingdom) The West Wind Blows North: Marc-Antoine Charpentier and the “Zefiro” Bass
9:40-10:20am	Anita Hardeman (University of Western Ontario, Canada) Travels with Hésione: The tragédie en musique Outside Paris
10:20-10:40am	Break
	*SHORT SESSION B: MUSIC AND IMAGERY, II. Chair: Robert Holzer (Yale University)*
10:40-11:20am	Beverly Stein (California State University at Los Angeles) Stormy Weather: Water as an Erotic Metaphor in Seventeenth-Century Italian Music
11:20am-noon	Michele Cabrini (Hunter College, City University of New York) Witness to the Execution: The Role of the Composer as Narrator in French Cantatas on Judith.

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PROGRAM COMMITTEE:

Mauro Calcagno (Stony Brook University), chair

Olivia Bloechl (University of California at Los Angeles)

Alexander Fisher (University of British Columbia, Canada)

Christine Jeanneret (University of Geneva, Switzerland)

Barbara Russano-Hanning (City University of New York)

CONFERENCE ORGANIZER:

Gregory Barnett (Rice University)